A Temporal/Space Odyssey in Subliminal Imagery
a cross freeview in stereo / subliminal experience
the fourth dimension: consciousness
Click & See the Subliminal Image/Story on MarilynChapter Header Marilyn M
chapter 04: Light
“Perfect Symetry 0-D. Time 1-D. Energy 2-D. Gravity 3-D. Light is male. The ultimate journey for the cosmic sperm, within the universal womb, is to fertilize and help birth consciousness, the fourth dimension.”
photons, hyperVue, the tesserect and consciousness

    Almost anyone who has seen her reflection off the silver screen, or the photons jumping off the monitor has been captured by her essence. She highlights that part of humanity within all of us and still touches us. Her spirit has literally been one of my guiding lights.

    Light is both beautiful and magical. I have been in love with photons since I can remember. They can defract and create the most beautiful of 3 and 4 Dimensional patterns. The rainbow is only one phenomena. We rely on light. Like pregnacy it brings with it the promise of life. Our perception of the universe is intimately tied to the information we receive from them. In so many different colors, on so many levels.

    From here on, I will point out only a few images, for I really want your discovery to be free and unencumbered by my interpretations. You will find the palm of my hand within her chin. My thumb and small finger embrace the corners of her mouth. I’m holding a sacred fungus, the mushroom, and the shine on her bottom lip betray’s the white stem. Her upper lip is the underside, to the bottom of her nose, is the cap. The wine glass stem reaches from there to the top of her nose, and the tall glass cup is illustrated on her forehead. There’s more imagery within the glass, in her eyebrows, as in her eyes, but you must view the originals, or see the limited edition prints to get the full impact. When you hypervue Marilyn’s portrait try touching her HyperImage. There is a point where you will poke through her face, as you find that delicate point of convergence. I can almost feel her every time. You can do it with any of my hypervue portraits, for that matter, but with her, it seems much more tender to touch her cheeks or chin.

photons

    I’ve always been intrigued by the magical qualities of light. The vast majority of photons are created within a stars. Because of the tremendous gravity and pressures they travel a distance of less than 2 inches before changing directions. Moving about the interior of a star for a million years or so before it reaches the surface. From that moment on, it will travel at 300,000 kilometers per second. Eight minutes later those photons reach us here on earth. So on average, sun light is 1 million years old plus eight minutes by the time it reaches your eye.

    Each photon, is a bottled message of the composition of the parent star... tossed into the vast ocean of intergalactic space. Every photon carries a color or frequency, from the minute visible resonance’s, to the vast invisible spectrums, some of which include radio and television. The vast majority of spectrums vibrate in brilliant colors invisible to our eye. And there are literally millions of different frequencies. Once they strike any kind of surface, the frequencies change when the photons meet the material or matter. The color or fequency is obsorbed and the photon bounces away at the same speed the photon struck the matter. Now depending on the composition of the matierial, the photon then carries information or color away from the intitial strike. Carrying less information color of material composistion, in visible light, and what it is made up of, in invisible light. So the various hues of glistening green of grass, is actually a pleathera of rejected hues telling us of what its not made of. Yet we call it chlorophyll and we understand the plant is turning the energy of the sun into life.

    Astronomers come to know the stars by studying the star’s spectrum and dark lines that seem to divide the different frequencies of colors. They’re void of color yet the absence acts as ruler of composition. As they shift into the red portion they betray the distance and traveling speed away from us. When found shifting into into the blue, they reveal just the opposite. The absence of color, the lack of information, the negative space defines the positive space. The negative space is more important than the positive. A side note: Human babies can actually see ultra violet light up to 6 months of age. I wonder if the vivid nightmares of youth are related to this sight?

hyperVue

    I recognized my enjoyment of art by the age of four years. At eight years I discovered how to "hyperVue". I experimented with anaglyph 3-D drawings. I soon learned to hypervue, by visually merging two, side by side images, into three. I discovered an interference pattern, which can be viewed in a space between the stereo drawings and my eyes. I first experimented with simple shapes. But I soon realized I lacked the techniques required for such a journey. So I returned to the familiar 2-D realm. By 12 years I had mastered photo-like portraiture in pencil. I experienced subliminal imagery at 24, and by 28 I was ready to renew the viewerless 3-D Stereo journey with subliminal imageries in portraiture.

I spent the next 2 years drawing a series of (7) seven full size 30" by 40" cold press illustration boards in a subliminal search for the Marilyn Monroe within me. Developing and mastering the viewerless stereo sculpturing techniques for hyperVue 4DX stereo portrait in graphite. Mastering the 4 Dimensional drawing and. After a series of all day and night sessions, I succumbed to exhaustion and closed my eyes while hypervuing her hyper image and actually fell asleep in the arm chair.

the tesserect

    I awoke from a very different kind of sleep. I remember the sensation of spinning as I came to a semiconscious state. The morning light was very bright, despite the partially closed curtains. My eyes were still in a strange double vision, when I consciously noticed the wire cube, off to the left, on the mantle near the drawing. My eyes had some trouble converging the two ocular views.. when the eureka moment struck. "Thats it! Theres the answer to the Tesserect... the visualization." I Jumped up, found my way to the mantle, pencil still in hand, I lifted the wire cube with great reverence.

    I closed my eyes, took a deep breath...and leveled my eyes on the four inch cube. I held it within an inch of my nose. I placed the tip of the pencil at the center of the cube. Soon my peripheral vision came into play and I realized I was actually observing a 3 dimensional slice or shadow of the hyper cube. One must learn to balance the stereo views into a single and complete experience to glimpse the lost treasure. It exists as a single 4 dimensional picture balanced within our "Super Conscious" state otherwise referred to as the subconscious. Two separate hemispheres experience two separate views. We must learn to balance the two sets of visual information to see the two images as a single experience.. one whole picture. It became apperant that the fabled 16 points existed within the human mind. Although, the lines weren’t at right angles, but more on that later.

A 4 Dimensional Cross freevue 4DX tesserect

tesserect

    The blue and green cubes represent the left and right visual fields. Each exists in 2 Dimensional form, and when hypervued they become 3 dimensional models or representation of the long sought 4 Dimensional cube a cube consisting of 16 point among other prerequisites. A 3-D stereo visualization of the fourth dimensional tesserect. To see the Hyper cube, slowly and gently cross your eyes until the green and blue cubes fuse together at the center point. You’ll soon see each square intersecting the other through the center. You begin to exercise your 4D sight as your eyes jump from the center to the front plane of the cube and then to the back plane. I submit, the image you see in hyperVue is not an optical illusion. Rather, it is a true Photonic Interference Pattern which exists in a higher parallel dimension. A hyper-space revealed between your eyes and the visual source. And the image you see is only one of a plethora, existing at different levels and angles as light projects away from the source and expands spherically outward. However, we are relegated to see only one set of patterns at any given moment in time. So, we are only able to see a slice of hyper-space or better stated, Time/Space in any given moment, depending on position of the observer. We are left with only our imagination to see the whole Photonic Interference Pattern. Computers will eventually help us see the whole.

consciousness

    Human consciousness visually constructs a 3 dimensional picture from 2 Dimensional stereo pairs or sets of photons picked up by each eye. The left eye reports information to the right hemisphere via the Cerebellum. In fact, the entire left side of the body reports all it’s sensations to the right hemisphere. And visa versa for the left.

consciousness

    I submit consciousness extends 90° into Time/Space as the visual information intersects within our mind. It occurs when and where the electro-chemicals breach, that space between our two hemispheres. Our personal door way to Time/Space via imagination. Each depth cue is another slice, another level or plane in 4 Dimensional Space. Time/Space is the space of time or temporal space. Time consists of three dimensions, past, present and future. Now add the other three space dimensions we are experiencing seven dimensions total. But for simplicity we refer to the whole experience as a 4 dimensional vision. We are an intricately connected to the four spacial dimensions of time, and the more familiar three space dimensions. We stand between Space/Time and Time/Space and are about open the door that will leads us to a collective Time/Space adventure.

consciousness subliminal imageries

    From here on, I will point out only a few images, for I really want your discovery to be free and unencumbered by my interpretations. You will find the palm of my hand within her chin. My thumb and small finger embrace the corners of her mouth. I’m holding a sacred fungus, the mushroom, and the shine on her bottom lip betray’s the white stem. Her upper lip is the underside, to the bottom of her nose, is the cap. The wine glass stem reaches from there to the top of her nose, and the tall glass cup is illustrated on her forehead. There’s more imagery within the glass, in her eyebrows, as in her eyes, but you must view the originals, or see the limited edition prints to get the full impact. When you hypervue Marilyn’s portrait try touching her hyperVue image. There is a point where you will poke through her face, as you find that delicate point of convergence. I can almost feel her soft face. This can be done with any of my hypervue portraits, for that matter, but with her, it seems so much more tender.

    In my eyes light is both beautiful and magical. I have been in love with photons since I first learned about them. They can defract and create the most beautiful of 3 and 4 Dimensional patterns. The rainbow is only one phenomena of many photonic events. We are not only reliant on light, we are made of photons. Like pregnacy it brings with it the promise of life. Light is universal semen, whether created within the womb of mother earth i.e. Marianus Trench or at her surface. light is the only thing in the universe that is truely male. Our perception of the universe is intimately tied to the information we receive from them. In so many different colors, on so many levels.

Tesserect Schematic

    I happened upon the writings of Charles Hinton. A gentleman who lived in the 19th century, wrote and published a series of articles in 1883 called “Speculations on the Fourth Dimension.” His simple schematics opened the door to the concept of the Tesserect. A hyper cube consisting 16 corners, or points, all of which are connected by lines, at right angles.

    A point represents zero dimensions. Zed. Zero. Zot. Not. A null. Perfect symmetry.

Point

    The First Dimension is a multiplication of that point by a factor of two. Connect the 2 points and you have a line.

Line
I submit: the first dimension is Time


    The Second Dimension, is a multiplication of those 2 points by 2. Connected by 4 lines. From now on all lines will be at right angles. 90°. 4 points. 4 lines. 1 plane. A square.

Square
I submit: the second dimension is Energy


    The Third Dimension, again follows this same formula. Multiply all 4 points by 2. Connected by lines, at right angles. 8 points. 12 lines. 6 planes. A Cube.

Cube
I submit: the third dimension is Gravity


    The image below represents a hyper cube once again, multiply the cube by 2, connect the points with lines, at right angles. A hyper cube There are 16 points. 16 lines. 12 planes

Tesserect
I submit: the Fourth Dimension is Consciousness


    One of the best examples I've seen so far is the Mark Newbold visual model which illustrates a hyper cube passing through the third dimension. The best static version is a cube resting in the center of larger cube. Remember the distortional effects with 2 dimensional representations are at 45° not 90°, so the disparity is explained by suggesting a 4Dimensional cube is casting a 3Dimensional shadow. Similar to the 2Dimensional shadow cast by a 3Dimensional wire cube. The shadow loses a dimension and naturally distorts the angles, elongating and foreshortening lines, as it’s projected on the wall at different angles.

Human Tesserect
I submit: Time is composed of 3 dimensions a Temporal Space

    Time: past, present and future. We exist in a universe where we can see, feel and touch 7 dimensions of 11.

First came Time (past, present and future).
Then came Energy (the big bang),
and Gravity (space and depth),
to Consciousness(reason and imagination).

Time intersects with light and consciousness.
We posess seventh dimensional sight.

the subliminal Imagery with Marilyn Monroe
Hypervue Marilyn Monroe

Four Corners of the Earth

    Take a flattened map of the earth and divide the land masses equally into four parts. The lines would then travel through Egypt and eventually intersect over the capstone of the great pyramid in Cairo. So when you’ve read about the four corners of the earth they go way back to the center of the ancient Egyptian Society. Which is probably far older than most people think. The ancient society traded with the central and south Americas with the Australian Aboriginals.

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